Wednesday, 4 October 2017

Knight Stainforth

Looking downhill from the west towards Knight Stainforth (Little Stainforth) and Stainforth beyond. Knight Stainforth Hall is the white building in the middle ground and now home to a caravan park. Although the date stone above the hall has the building aged from 1707, the building (or parts of it) is far older. It was a miserable day, no bright sunlight, no strong shadows and for that I was quite grateful, more often than not the strong shadows dominate the painting, however I'm pleased to portray this scene in the all-too often 'a bit overcast'.

Knight Stainforth, Oil on Panel 8" x 10"
Sometimes while painting, the feeling just flows and the painting looks right from the start to the finish... this was not one of them, there were a couple of u-bends and a couple of times I got the feeling to bin the lot. I am glad I persevered with this however, and there lieth the lesson... I have had a similar issue with books or watching a film its that mid part, when nothing seems to be happening, nothing clicks and its at that point, perserverence must kick in; subsequently something drops into place and it all works out, but that 'wall' exists in whatever I am doing. That question 'can I be bothered to finish what I started?' is always there, and I have dozens of unfinished paintings which have hit the wall and no further progress has been made, indeed I have with books and films that I started watching / reading, but gave up for something else / better.

In essence I am glad I continued the momentum, and not produced a half-arsed, half worked piece but completed it as I had already seen in my minds eye. Hope this works for you as it has for me.

Out of fun I have posted some photos of the work in progress, the painting was completed in a matter of hours (such is working on smallish panels). As I have had no formal training or lessons, everything I learned about painting is from the net, books and trial and error; my style, techniques and materials are flexible and evolutionary, perhaps they may be old hat to some but I feel that I am treading on new ground every time I adopt one (for instance the use of turps rather than white spirit!!!)

Stage 1 - the outline and 'underpainting' using promarkers
Stage 2. Blocking in using dilute / thinned oil paint - although some areas its quite thick and opaque.


Stage 3. Addition of detail.


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